Friday, October 6, 2017

Malifaux Book 5: Broken Promises Review

               

                   I’ve already written about Broken Promises extensively from a game perspective, and I’ll be writing about it more in the future (watch for this month’s Wyrd chronicles), but one thing I haven’t done yet is break down the actual physical product that Wyrd released. So, since it’s Review Week on our new Malifaux Musings publication schedule, let’s do a review of Book 5. But first, some Mini-Musings and a word from our sponsors.

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Mini-Musings



-The biggest news, of course, is the beginning of block 1 from the Homefront campaign. It will run for 2 weeks, going from October 2nd to, presumably, the 15th. I like the tie-in between Malifaux and The Other Side, but I’m not as amped for this one as I have been in the past. The reason came to me when I saw that the Syndicate and Faction forums were up, I went to go read them, and realized “Wait, there’s no point. There’s no strategy for this other than ‘play as many games as possible.’” So I’ll still be playing and reporting my games (Sandmen all the way, baby, and not just because I’m a big Metallica fan.) I just won’t probably be spending a lot of time in my faction forum.

-Iron Painter rd. 1 voting is going on as we speak, and ends on Monday. The first round’s theme was OSL, and from what I’ve seen, there’s some very cool stuff out there to check out.

-We’ve completed one month on Patreon, so it’s time for our first drawing. *reaches into raffle box* And the Miss Ery model goes to….Kevin Tapper! Kevin just joined this month, and he’s won a prize already. You’re not trying to win from out of a pool of hundreds of contributors, folks. We’re a small blog right now, so the prizes have never been easier to win. Come on down to our Patreon and sign up now, and you can get an entry for October’s drawing, a Miss Terious! This model works as an alternate Death Marshal and will fit nicely into most Guild-y crews, particularly Perdita. And if you knock the casket off, she’d probably make a pretty decent Monster Hunter proxy until the model comes out. And because it’s Halloween, I’m going to throw in an All-Hallows Eve surprise for the winner, as well. Even a $1 a month contribution earns you an entry, so come on over to our page and supportMalifaux Musings!

***

               The cover image on Broken Promises is something quite unique, as all of the covers for Malifaux books that I can remember have usually had some kind of action scene featuring full-body artwork of one of the models released in the product. Perhaps fittingly, since this features the first effort to go back and release new upgrades for old masters, this features a different style of cover image. It’s a collage of signature masters for each of the factions separated like a broken pane of glass, with a Guild seal at the center. The message is pretty clear: the Guild, and more specifically, the new Governor-General, is going to smash things up and make their presence felt. In response, the other factions are starting to fragment. It also gives Wyrd’s new graphic artists a chance to show their stuff. Lillith’s primal scream and McMourning’s trademark maniacal grin are really striking, and it makes for a sharp looking cover.

               The book itself weighs in at 257 pages of content, which feels like about par for previous Malifaux offerings. Each faction gets their own section with a new lore story, a special story scenario related to that short story, followed by the new content for the miniature game. The factions each received a new henchman, a selection of enforcers and minions, and the biggest change to the game, new Upgrade cards for each master. While I wouldn’t say that every single model in this book is amazing and going to find significant table time, there also don’t appear to be very many which make me say “This is a dog turd. Why would anyone play this?” This is a significant achievement, considering we’re in the 5th book of this limited-scale skirmish game. Anything new that the designers introduce has to compete with everything that’s come before and do it without introducing power creep, something with which many games can struggle. They’ve achieved this here in a number of cases by introducing models which explore regions of design where factions have previously had a weakness. As an example: the Guild previously had a reputation for strong top-end models but more lackluster low-soulstone stuff. To counter this, Broken Promises introduces a bevy of 6-stone models, all of whom perform different roles. This was done masterfully. Additionally, some models were very clearly intended to sit with masters that needed a power boost, like the Riotbreaker for Hoffman or the Cyclops and Bultungin with Titania. This was done subtly, by providing a model that is useable and effective with any crew that can hire them but which really shines when paired with the appropriate leaders. The approach varied in different factions, but the end result is the same: new options and new design space being opened up. The new models are a big win for Wyrd and, in my opinion, the most effective part of the book.

               Since the start of M2E, I’ve wanted to see them release new upgrade cards for the old masters. It was something that was promised as an option from the start and, especially where Limited upgrades are concerned, gave the Malifaux designers the ability to radically alter the way a crew works without having to release a new edition of the game or a new version of the model with redesigned or Errata’d rules. However, besides the occasional errata for severely gimped masters like Lucius or Ironsides, masters have lived with what they received at release. It’s easy to see why it took a while to try new upgrades, especially on this scale. You can’t very well just add new options for some masters but not for others unless you want a lot of community belly-aching, so you have to design for all of them at once. Much of a crew’s power runs through the master, so there’s danger that you can end up making much more drastic changes than you intended when you tweak them like this. And, tbh, Wyrd probably makes much more money off of new models than they do from decks of upgrade cards, which reduces the incentive to put them out. As such, I applaud the effort behind getting this work done.

Overall, I would call their effort successful with a few stumbles. A number of masters that needed help got it in spades with these upgrade cards. We’ll have to wait and see how many of them end up being as effective in the game as they look on paper, but just the fact that people are excited to play Toni Ironsides, Mah Tucket, and Lady Justice can only be considered good things for Malifaux overall. Other masters that were already pretty good got new tools added to their toolbox. Dreamer can play a melee oriented game. Pandora can act as a limited summoner. Dr. McMourning greatly expanded his hiring pool. I think this was the best part of what was done here, and I wish we would have seen more of it. It seemed like an effort was made not to take some of the already strong crews and make them stronger, but rather give them some different choices to try. This was for the most part effective, but there were some odd glitches. Both of Collodi’s upgrades have been dismissed by every reviewer I’ve seen, as adding a melee attack when he can already use his main attack, one of the best in the game, in melee is redundant and unnecessary. The teleportation/summoning upgrade he got feels janky. Contrast this with Hamelin, who is arguably one of the strongest masters in Malifaux Gaining Grounds 2017 (if, paradoxically, one of the least played due in part to the large number of models required and the general “uck” feeling he inspires in most people.) His new Plague Pits is a flat-out strong upgrade that is going to be played often, allowing Blight become a viable main attack strategy, and doesn’t seem to cost him a whole lot (Hamelin crews usually could afford dropping an upgrade to make room for it.) Add to that the ability to work around the “no-unburying-on-turn-1” clause of Viktoria’s Soaring Dragon upgrade using the Scion of the Void, and the top 2 Outcasts seem to have the majority of the potentially negative-play-experience upgrades in the book. This feels like a mistake, and I would expect that the Soaring Dragon thing will get fixed with an errata, but that won’t be happening until January. And, look, it’s early yet. Some of these things may end up being overblown. Plague Pits may not be such a big deal, and Collodi’s Doll upgrade may actually be really good and we’re all just not seeing it. I don’t know, and I’d be the last one to stake my reputation on theory-craft (as I’m, frankly, quite bad at it.) But, the thing to remember is that these are the exceptions, not the rules. Most of the new upgrades are at least interesting, and it blows open crew design from the end-of-GG-2017 funk I think many players have felt. It’s hard to consider this aspect of the book to be anything but a win, and I applaud the effort Aaron and the other designers put into this.

               One of the highlights of most Malifaux books (for fluff nerds like me) are the stellar short-fiction offerings included to advance the story of the game world. It seemed, however, like the fluff wasn’t as big of an emphasis here as we’ve seen in other Malifaux books. Where, previously, the factions sections would have been bookended with stories that incorporated elements of each of the factions and (usually) provided the big thrust of the story developments, in Broken Promises there were just the 7 short stories for each faction. The overarching theme was two-fold: the Guild cracking down in Malifaux and the other factions trying to endure while individuals advance themselves through acts of betrayal. Most of the stories were well-written, and I liked what they offered. The McMourning focused story from the Resurrectionist section felt a little odd, in that the doctor effectively threw his Guild badge in Lady Justice’s face but will remain a dual-faction master from the game’s perspective. The Outcast story, while feeling a little bit like fanfic in terms of the need to have major-character after major-character show up for a cameo, was at least interesting from the perspective of solidifying the faction and giving them a home-base in the Outlands in the wake of the Guild outlawing mercenary work. The Gremlin story was…well, it was what you expect from Gremlins. If you like it, you were probably delighted. If you don’t, this won’t change your mind. I’d like to see the Gremlins mix it up with some of the other factions more frequently, personally, as we’ve been told since the beginning of M2E that they were going to be important in the coming wars with the Tyrants but, apparently, seem content to sit in the bayou and argue amongst themselves rather than doing anything meaningful. But the story I found to be least in keeping with the overall aesthetic was the Guild story. I get what Mason was going for here: trying to craft a comedy piece featuring the masters of the Guild in their off-hours, mingling inside their Enclave’s break room downtown. It was reminiscent of shows like the Office, with only the individual confessional-style interviews missing. But it felt tonally incongruent with the rest of the book, and I don’t think it worked. Personally, I think something could have been done to explore a member of the Guild getting screwed over in the new regime (or vice-versa) and this story would have felt more at home in an issue of Wyrd Chronicles. Plus, how does Lady Justice play poker? She can’t see what’s printed on the cards?

               The graphic design of the new book is really strong. A number of masters got the sort of touch-ups and updates that we’d previously seen for Dreamer and (if you had access to Through the Breach’s Core Rules) Von Schill, leading to tantalizing speculation on whether some of these incredible redesigns are going to be converted to alternate sculpt miniatures. One assumes the Dreamer is coming for sure, as the kid in the nightshirt feels odd to play as the Cricket-Bat wielding sociopath he’s becoming. For whatever reason, the Ten Thunders masters got a number of updates, including a very cool image of Lynch with cards flying around him and burnt-out eyes, as well as a much more lithe-looking Yan Lo and a grungier McCabe in a duster. I wonder if they’re not in line for a refresh simply because they were released as Wyrd’s first efforts at plastic and, to be honest, many of the models don’t live up to the current sculpts. The only place that the art design falls down, in my opinion, is where they’ve recycled art from previous publications for use here, as the styles don’t always match with the newer, grittier pieces. It wouldn’t be as jarring if they were consistent (IE new art in the short fiction stories, old art with the upgrades) but when they switched back and forth it was a little jarring. It was particularly weird in the Resser section, where some art of McMourning and Nicodem were resurrected (fittingly) from the 1st edition days to represent them. Weird.


               So, overall, I think the crew at Wyrd really succeeded with Broken Promises, especially from the perspective of Malifaux the Game. There are no obviously dead models coming out (arguable, but it’s my review so you can deal with my opinions) and the new upgrade cards improve the game by expanding the options available to the masters. The production for Broken Promises had a few more rough edges than I’m used to seeing in Wyrd products, but if sacrifices had to be made somewhere, I suppose some hiccups with the fiction and art can be forgiven. Broken Promises is a fine product, overall, and keeps the strong tradition of Malifaux sourcebooks going. 

Friday, September 29, 2017

Production Design: The beginnings of my Collodi Crew Painting/Overhaul

Mini-Musings

-The big news coming up soon is the Homefront worldwide campaign. Tying in the story of Malifaux with The Other Side, players will compete in games of Malifaux to help establish a new Syndicate, a small faction that can be hired by the main factions in TOS. One is the Council, built from the remainders of the cabal of wizards that opened the first Breach. The second is the Sandmen, who are effectively being driven by the Tyrant Nytemare. And, finally, there's the Order of the Chimera, an Egyptian syndicate led by Marcus. Players will report games on Wyrd's Website, with wins supporting one of the new syndicates as well as the Malifaux faction you used. More on this in later posts.

-If you're going to Pax Unplugged, Wyrd needs volunteers.

-Through the Breach core rules launched on DriveThruRPG, and Wyrd is running a raffle for anyone who buys it and puts in a review by the end of October. If you win, you get the entire Through the Breach catalog available on DriveThruRPG.

***

So, I'll briefly look at what hobby work I have in front of me for the Collodi crew I'm constructing. Per most of my crews, there's going to be a mix of metal and plastic here. I don't like rebuying models I already own, so this is unlikely to change anytime soon. I drug out what models I have that I think would be useful, and took a picture.


Taking a look at what's there, I have this list of models:

-Collodi-Needs repainting
-4 Marionettes-Need Repainting
-Brutal Effigy
-Shadow Effigy-Needs Painting and Basing
-Arcane Effigy-Needs to be remounted to a base, requiring drilling and pinning. Also, could use some painting.
Mysterious Effigy-Needs Painting
Lucky Effigy-Needs Paint
Primordial Magic
Nightmare Teddy
Mr. Graves
Mr. Tannen
Ronin x3 Need Painting
3x Evil Baby Orphanage Models-I use them as Changelings right now, but I have...
3x Changelings-Need assembly and paint. If I'm going to tournaments, probably best to avoid proxies if I can.
Doppleganger
2x Performers
2x Stitched Together
2x Depleted
3x Illuminated 1 needs painting
2x Sillurids
Mysterious Emmisary
Nekima-Because Neverborn
Hooded Rider
3x Wicked Dolls Need paint and assembly.

At some point, Lazarus would be a good addition to this bunch, as he and Collodi have fun together. Also, I need to find some proxies for Hinamatsu and Bultungins. Hrmm. I have a lot of work to do. If there's anything obvious that I need to add, let me know.

The paint job on the Collodi crew itself isn't terrible. At one point in time I really fell in love with Games Workshop's washes and tried to use them as the paint themselves to make a crew that looked like watercolor. It kinda worked, but I'm going to just do a normal paint job on them. As tends to be the case with most of my painting, they're too dark. So I need to work on that as well. Maybe I should just strip them and reprime them with white instead of black? I know that would help....

Trying to come up with more to write, but there's not much else to say at the moment. I'll be posting new stuff as I progress, once per month, so that'll at least keep me motivated. Now, if I could manage to not get my ass kicked every time I play him, that might help too...

***

Next week, I'll be doing a book review of Broken Promises, the new Wyrd book (because I haven't written enough about it, apparently.) After that will be a tactics article featuring the master everybody loves to hate, Pandora. And why am I writing about Pandora? Because I was commissioned by one of my Patreon supporters to do so, that's why!

Speaking of Patreon! This is the last post before the end of the month raffle for a Miss Ery, an alternate model for Teddy. Anyone whose pledged $1 or more a month gains entry to the raffle, and right now you've got an excellent chance of winning. Plus, it's a way to help this blog grow and prosper and can open up new opportunities for Malifaux Musings content. So head over to our Patreon page and sign up! 

Friday, September 22, 2017

By Any Other Name: Prelude

It’s fluff week, everybody! *waits for groans to subside.* So a few mini-musings, followed by a brief word on the continuing Collodi misadventures, and then I’d like to submit the beginnings of a short-story I was writing for the first round of the Storied Soundtracks competition (before running out of time. Whoops.)

“Wow!” you say, “I love fluff short stories. How can I read more like this?” Well, glad you asked. Enforcer level patrons on our Patreon (you’ve heard of our Patreon, right?) will get access to a shared Dropbox folder wherein I’ll be dropping off files for things I write that are related to Wyrd. I’ve updated Shadows and Void since last time I posted about it in here, and that’ll be going in there for patrons only along with versions of my Through the Breach modules published in Wyrd Chronicles. That level of support is just $3 a month. $3? That’s nothing! You spend more than that on Starbucks! And Starbucks doesn’t give you Malifaux related fiction and RPG content.

What I’m saying is, screw Starbucks. Give me your money instead.

Mini-Musings

-Everybody say hey to Wyrd’s new designer, Matt Carter! Welcome to the Wyrdness and Wyrditude.

-Malifaux has commissioned the creation of an official app! Nathan has updated later in the thread to reveal that their target release date is February. There are some preview images in the thread that seem to indicate you’ll be able to track your models owned and painted, have access to full stat cards, build encounters and, of course, create your Malifaux crews in it. Bummer for the guy that does Crewfaux (although there could maybe still be space for a free app if/when this ends up costing) but it looks pretty good.

How Not To Collodi pt. 2: The Double Deuce

               Started a second game with Collodi that I’m not going to actually write a full post on, as I’m pretty disgusted with myself for how it went. A lot of this is because I got on tilt pretty early when I realized that all the things my crew was built to do were just not going to work this game, but I think I also realized that the mistake I’m making right now with Collodi is trying to take ok to bad models and use Collodi’s Fated bubble to make them good, when I should be using good models and using Collodi to make them awesome. Beckoners are ok, and in a circumstance where I’m playing headhunter or the like I’ll want to use one to pull a model in for murderin', but otherwise they’re not that good even with free focus. And if I unchain her from Collodi and have her go do her own job, she’s just a regular old Beckoner that few people use. Marionnettes are good cheap activations, but they don’t do stuff. I’ve not been overly happy with their performance rather than what I could get out of a Primordial Magic. Plus, I don’t think there’s nearly as much of a focus on activation control in and having higher and higher model counts coming in GG2018 versus what we all saw in 2017. Ours! can be done just as well with high soulstone models as with low, there just isn’t as much flexibility in how granular you can get when dividing your crew among table quarters. And, finally, I need to understand how my models work before I put them on the table. Hinamatsu has a surprising amount of complexity to her, especially when you’re trying to run her in a Fated crew and gain buffs from the Puppet Master. He doesn’t block you from using My Will on your own models within her bubble like I thought, which helps, but I ended up totally misplaying her in the game and basically wasted her points. This, paired with my not realizing just how much a crew of Mei Feng, Fuhatsu, and a Katanaka Crime Boss was going to just flat out block my crew’s design and intent to use Lure and Snatch to pull enemy models out of position and block their ability to score the strategy led to a very frustrating game for me, and I’m annoyed that I let it get to me the way it did. I’m not giving up on Hinamatsu yet, but she’s basically in the same “high ss beater” slot that Nekima occupies, and a large part of the potential synergy between her and Collodi is blocked by “Without a Master.” Maybe it would be a different story in a crew where I could pull things to her, but right now it doesn’t feel like a good trade-off.

***


By Any Other Name



I would rather be almost anywhere than here, Charles Hoffman mused as he watched the snow drift down around his carriage. He wasn’t in any danger, as far as he knew. The hordes of gibbering fish-monsters had been driven from the city months ago, apart from the occasional discovery of nests hiding in the sewers. He didn’t have pressing business elsewhere, though as head of a Guild of Mercantilers Special Forces unit, busy work could always be found if one was properly motivated. He didn’t even resent coming back through the Breach to Earth, though he bitterly missed the intense feeling of connection to the machines around him to which he had grown accustomed since his arrival in Malifaux. He tried, out of habit, to force the harness strapped around his frail, weak frame to move on its own with a touch of his mind, but was again disappointed to find it unresponsive. He had hoped the change was permanent and that someday he could return to Earth and keep the new degree of autonomy he’d found, but this trip had refuted that completely. The manual controls he’d cobbled together before his journey were nowhere near as agile or refined as those to which he’d become accustomed, and he had cursed their clumsiness since the first minute of his arrival and the near-fall he’d experienced trying to disembark a train’s passenger car.

But no, all this he could have dealt with, if he had not known where he was going, the purpose of this visit. He held the envelope in his left hand, the cream colored paper wrinkled and dog-eared on the corners from its numerous openings. He swiped his thumb over the writing on the return address, “Ms. Tessa Beamont, 138 Vinton St., London, UK” as if trying to erase them. Tess, he thought, Who would have ever believed you’d be sending a letter to me?

***

There was a time when the girl wouldn't have spared him a glance. He was, after all, just the crippled kid brother of the true object of her desire, Charles’s brother Ryle. Those two… he mused, Well, there are poems written about love affairs like that. Ryle had never had trouble meeting girls, of course. Possessing an attractive, tall, broad shouldered frame, having your own fortune established, and being a brilliant scientist on top of it certainly had that effect. But despite the availability and relative ease he had with them, the fairer sex had never been a priority for Ryle. Between taking care of Charles, completing their educations, and constructing ever more elaborate and ingenious machines, there had never been a lot of time on his plate for romance, and not much interest on his part to seek it out.

But there was something different about he and Tess. Charles couldn’t remember when they’d met, though he didn’t think there’d been any sort of dramatic first encounter like you’d find from a novel. It seemed like their relationship fell from the sky, like it had always been meant to be and the world had been waiting to get the two of them together and make it happen. It was so natural, and it was the only time Charles had ever felt like he had come second in Ryle’s eyes.

Naturally, he and Tess had disliked each other from the start.

Whatever warmth shown in her blue eyes when she looked at his brother would melt away like the snowflakes on Charles’ carriage window when she looked at him. In a way it was a refreshing break from the detached pity he received from the majority of people he knew in daily life, but Charles had always quietly resented whenever Ryle had left to meet her at a cafĂ© for a quick afternoon tea that, inevitably, ended in his staggering back home in the middle of the night, cheerful, drunk, and not understanding the scowls Charles would flash at him from his bed. Charles wasn’t sure he’d ever been angrier with anyone than when, after one of these excursions, Ryle had showed him the tattoo he’d gotten in some dingy, back-alley shop of Tess’s name curled around the stem of a rose. It was an incredible clichĂ©, but one that confirmed what Charles had dreaded this whole time: that he was losing his brother, his protector, the only person upon whom he could rely, to this woman. He told himself it was because he needed Ryle, that he couldn't survive without him. He tried not to admit that it was because he hated how happy she made him, how carefree, and that seeing Ryle in such a state only served as a reminder that, without Charles, Ryle could have that all the time. 

“What about our studies?” Charles had raged, citing Ryle’s marks which, after meeting Tessa, had slipped from exceptional to merely above-average. “What would mother say if she could see that?” he’d accused, pointing at the fresh artwork on Ryle’s bicep, which was already beginning to show a red ring of inflammation flaring around it. The argument had gone into the night, with neither side willing to admit what was really at stake. Charles Hoffman didn’t want to be alone, and Ryle Hoffman was, for the first time in his life, considering a world that wasn’t dominated by caring for his broken brother. Finally, Ryle had stormed out, throwing an overcoat over the offending body illustration and driving across town to Tess’s flat to stay the night. He’d stayed away a week that time, longer than the two had ever separated, and Charles had finally started to admit to himself that Ryle might really be gone.

***

That was before the telegram, Hoffman thought with a regretful smile. He'd gotten by well enough on his own, which should have been an indication that he was more ready for independence than he'd previously admitted. Instead, it fueled his resentment to the point that, when he heard Ryle's keys in the door, he'd turned his wheelchair away and pushed himself back to his work bench without sparing his brother a glance.

When his Ryle returned, Charles had expected him to box up his things and move out for good rather than the whirlwind of activity that had blown through their door that morning. Ryle had heard from Doctor Victor Ramos, a preeminent machinist the brothers had studied for years. He had offered to work his technological magic to try and restore some mobility and quality of life to Charles. It was like their dreams ever since childhood had been answered: a remedy for Charles’ paralysis and a mentor to take Ryle’s prowess beyond the limited resources of the University. All they had to do was pack up their lives and come join his workshop in Malifaux.

Malifaux. It was like a fairy tale land back them, something from fiction rather than a real place. He knew too much now to see anything besides the transparency of the Guild's propaganda, but when Ryle told them about their coming journey to the Breach in America and then to a magical world far beyond the earth, Charles had felt like one of the old pioneers crossing the Atlantic to explore the new world.

The two brothers had packed up almost immediately, closing up their affairs and buying their steamer tickets before Charles had even thought to ask what had happened with his brother and Tess. Ryle had paused a moment, barely a heartbeat, before stating that it had been fun while it lasted, but it was over now. Charles was so caught up in the turn of events he had ignored the obvious lie and the flash of hurt on his brother’s face at the mention of her name.
 



Saturday, September 16, 2017

Coordinated Heist - Parker Barrows vs Collodi game 1

Greetings all.  So Adam and I recently finished our first game with our project masters (game 1 of 30 for me.  Uncertain if Adam has a number of games to play goal).  Without further ado... the quick and dirty rundown.

I took :
Parker w/ Coordinated Heist, Black Market, and Human Sheild
Mad Dog w/ Crate of Dynamite, and Lucky Poncho
Wokou Raider x 2
Doc Mitchel
Librarian
Hans

Vs.

Collodi w/ Fated, Strum the Treads, Breath Life
Emissary w/ Mysterious Conflux
Shadow, Brutal, Arcane, lucky effigies
Stitched x 2
Marionettes x 3

Standard Extraction
Claim Jump
Leave your Mark
Mark for Death
Eliminate the Leadership
Last Stand

Crew Selection limited to models owned (my Parker box was on order).

 I looked at the map but not close enough to realizes Hans is garbage on this map  My thinking is when I play into neverborn I like to have at least 1 ruthless model to mitigate Doppleganger and/or Barberos.  I picked up the Wokou to support a Misaki build I have yet to use mostly because I need to get the models painted.  So I threw a couple in to see what I thought.  Librarian because outcast.  Wasn't sold on the Bandidos because the look too squishy but with Run and Gun would have been gold on this map (I can picture Adam vs my Tau crisis suits and a little PTSD). So I threw Doc and Mad Dog in to round out the crew.

If I had it to play again I might have swapped a Wokou for a 4th qualifying model on Last Stand.  But considering Extraction was the goal I don't think a Parker crew is suited to do both.  And due to Adams list I was playing vs 4 schemes.  So basically you can look at this map as 3 parallel hallways.  I sent Doc and a Wokou off to my left, ignored the right and sent the bulk of my crew up the center.  My plan was to get the Wokou in the middle into melee to eat up cards or tie up model but she run into the pair of stitched and melted.  But that let mad dog slide into position to unload with his shotgun and blow up the cover at the entrance to the middle chamber.  I knew once the Wokou on the side started scoring Mark for me he would have to send something to deal with it or seed me 3 points and doc was over there to back her up and help score the strat for the one turn he could squeak in range.  He sent the shadow down my right side and his Emissary came to deal with my Wokou.  I knew the emissary could reach claim jump by turn 3 and if he did Doc could walk over.  Shadow was way out of range to hit Mark by turn 3 but he could have done part of claim if he could carve a spot in the main chamber.  So I ignored the shadow since I would have time to adjust after Adam scored a point with him.  He turned out to be a decoy to attempt to draw one of my more expensive models to go deal with.  Once I got into the Marionettes I was able to lock up 3 for Mark for death.  In return he got my Librarian with a mark.  Hans did slightly more than nothing but ended up being clutch for the 1.5 rounds of combat he got in.  And the Wokou on the flank got 2 Marks left via 0 action kick ball.  Not being able to cheat Ml vs defense works almost like agile. I was able to disengage, drop a scheme, and 0 punt it but the Emissary blocked the third one by walking around me.  And when the smoke cleared in the center Adam got 4 for the Strat to my 2 leaving the final 7-5 for me.

Things that worked.  I like the Wokou but I'm not certain 2 or more is worth it.  I will put them on the table some more before I give them a definitive rating.  Mad Dog was the MVP but it probably had more to do with the match up vs what he brings to the table.  Also this probably goes without saying Librarians are good.

Things that didn't.  I flipped 0 upgrades.  Didn't use 2 upgrades that I brought but I see a synergy with the Wokou and Dynamite that I need to look into.  Hans plus this map should have been complete fail.  Things that work in Thunders don't work for outcast.

I picked up some Ronin.  I own most of the outcast Mercs.  I need to learn what outcasts do better than other factions.  Maybe the leaders just tend to do more on average compared to Thunders so the support models tend to feel weaker by comparison.  If that is the case Parker will be an uphill battle. I think the wave 5 models will fit my play style a little better but they are down the line.  Crew has since been acquired, assembled, and primed.

Until next time...

Friday, September 15, 2017

Dress Rehearsal: How Not to Collodi

Greetings, Musers. With the launch of the patreon account and the signing on of some of our members, we have reached our first goal: commitment to a weekly schedule of posts here on the blog. I’m excited (and slightly terrified) of the prospects of having a regular schedule and deadline to meet on a weekly basis. Hopefully, I’m up to the challenge. I’ve laid out a rough preliminary schedule for the topics for the foreseeable future.

Week 1) General Hobby update: Thoughts on crews I'm working on, some pictures of painted models, etc.

Week 2) Book Review: Review of a physical Malifaux product of some kind. Likely to be Through the Breach related, as their publishing schedule is more frequent. 

Week 3) Tactics Articles: Tournament reports, crew list theory, etc.

Week 4) Story Article: A look at the fluff of the world of Malifaux. Could be some articles that, say, would break down one of the factions or masters through the development of the Malifaux story, or would include my efforts at writing some short fiction.

          I’ve also considered including “Musing on a Meme” articles, where I make a meme list that focuses on some oddity of the Malifaux game or fluff to make a unique crew that, perhaps, isn’t the most competitive thing out there. These posts would be in addition to material written by Phiasco, of course, so that’s even more content, all thanks to our Patreon Supporters!
          Speaking of which, our Patreon campaign is still going, and we’re still looking for more support. I don’t need to replace my income with Malifaux Musings or anything crazy, but it would sure make me feel better about taking time away from my family or job or free time (ha ha, like I have much of that) to write here when I know it’s going towards bringing in some cash for us. Plus, the money from it can go towards buying more Malifaux stuff to feed the blog. Enjoy the Through the Breach review last week? We can do more stuff like that in the future, even including some of the models, using the cash brought in through Patreon. I’m not asking for a ton of cash from you, either. Can you afford $1 a month? I’ll take it! With the new publication schedule, that’s literally .25 cents per post. I don’t even want to think how silly the word count payrate would be for that. If you want to give me more, I won’t stop you, but $! is all I ask. Let’s see what we can turn this thing into together.

***

          Ah, Autumn is here. And you know what that means, folks. It’s time for the Autumn Queen! With Lillith out of the way, no one can stand in her way as she ascends to power over the Neverborn and can begin purging the scourge of humanity from Mali-

*Marionette scuttles into the room*

          -faux. No more will our people be held beneath the oppressive heels of the Gui-

*Marionette scrabbles next to me, tugging insistently on my pant-leg*

          -ld. Um, excuse me. Hello, little man. I’m in the middle of a Malifaux Musings post at the moment. I’m going to talk about Titania. Can I help you?


*Marionette shakes his head and points at his chest.*

          Well. Yes. I know. But it’s Autumn now. Thematically, I should be playing the Autumn Queen. And, you know how she gets when she feels like I’m not paying enough attention to her.

*Marionette makes an angry face, pointing sternly at himself.*

          Look, tell your master I’m sorry, but he didn’t get anything good in Broken Promises. It’s hard to get excited for a master who is essentially not changing and didn’t get any new toys-

*Marionette holds up picture of Hinamatsu.*

          Ok, ok. He got one new toy. But I don’t know how it works! And I wa-

*Crosses arms. Taps foot impatiently.*

          Sigh. Alright. Let’s go play some Collodi.

*Marionette does a quick cartwheel, grabbing me by the hand and skip as we head to the laptop for some Vassalfaux.*

***
          *ahem* Take two.  It’s Autumn, and you know what that means, time to honor the Autumn Queen by playing her loyal servants, The Neverborn! This of course includes (presumably) the Puppet Master Collodi, the master you voted for me to build! My opponent was Phiasco trying out Parker Barrows (who, you’ll recall, won the poll. Phiasco agreed to pick him up and give him a whirl.) We were playing in Vassal and I randomly picked a map, which turned out to be one of the interior maps for which that platform is (in)famous. My goal was to play a minion-heavy crew with the Mysterious Emmisary and Collodi providing support, so I went with the Fated limited upgrade, lots of Effigies, a couple of Stitched, and some Marionettes. This was really a trial-run/dress rehearsal, since I had never used several of these models before. I learned a lot of lessons this game, though I don’t remember exactly what happened all the way through (for reasons that will become apparent shortly.) Rather than go through it turn by turn breaking down every (in)correct decision I was making, therefore, let me put up a visual aid and walk you through the lessons I learned from this game.





Lesson 1: Don’t Drink and Malifaux.

          Ok, I know that people like to have a drink or two while they’re playing. That’s fine. What I’m saying is don’t get hammered as the game goes along if you’re interested in actually winning. Refilling my double gin and tonic at the beginning of every turn seemed like a good idea early on. It didn’t play out that way by the finish. And it definitely didn’t seem like a good decision the next day (a Wednesday) when I had to get up at 6:15 to get my kids to school and go to work. Make good choices, folks.

Lesson 2: Keep Your Crew Together

          This is probably the most “drunk-faux” thing I did in the game, but for some reason I decided to send my Mysterious Emissary, who was carrying the generic conflux to feed all my puppets + flips, off by himself to go hunt down an enemy Wokou Raider. I know why I did it (to stop Phiasco from scoring Leave Your Mark) but the whole point of this crew was overlapping buffs and to summon Changelings to copy strong attacks from the other crewmembers (Stitched, Lucky Effigy). Neither of those things were happening with him all the way out on the flank like that. On the other flank, there’s my dumb Shadow Effigy, also out where he can’t help the fighting or score points. If I had taken Leave Your Mark, of course, he could have been scoring that. But like a dummy, I thought “Well I try that every game. Why don’t I mix things up?” You do them every game because they’re reliable points, stupid. Go with what works!

Lesson 3: Puppets Aren’t That Good at Killing Stuff

          I mean, I kind of knew this one already, but for this game I wanted to just throw some things up against the wall and see what stuck. It turned out that very few of the puppets were all that sticky. The Effigies don’t do a ton of damage, so sinking 20ish points into them is not a good move, as almost half your crew is basically just there to buff Collodi and the other little minions who are also kinda puny. I had thought Lucky was a good choice for the silly damage buff he receives, and he still might be since he got popped pretty early in this one, but it wasn’t enough. On the other hand, Stitched Together are real good. Most of the damage you see on Maddox and Hans came from the two Stitched I brought along. Again, this isn’t exactly a revelation, but it was good to see what they can really do. I seem to have some fairly horrendous Gamble Your Life luck when I’ve used them, and they mostly just seem to blow themselves up. If I had been trying to complete Leave Your Mark, the Shadow Effigy would have been a fine inclusion. But I wasn’t, so there was no reason for it to be there. I hear a lot of fanfare for the Arcane, and I can see where it would be useful, but it did nothing at all in this game. So, basically, I need to build crews where I include puppets because they have a specific job that they do well, not just because they say “puppet” on them. And, also, the ME was probably again not the best choice for this crew. Sigh. Someday, Mysterious Emissary. Someday.

Lesson 4: Pick Better Schemes

          I thought that with all the activations in this crew I’d be in good shape for Marked for Death, and I thought that Parker wouldn’t be an especially tough model to at least knock down to half wounds. Neither of those things really turned out, mostly due to my opponent having me out-ranged. By the time I got close enough for melee most of my puppets had been shot to death. I needed to use Collodi and the Stitched’s Creepy Fog to better effect and shield their advance by disrupting the opponent. I was trying to keep Collodi back as a support piece, which meant that I couldn’t bring his strong attack actions to bear until turn 4, which was too late for them to make a difference. If I wanted to play a killy scheme pool, I needed to bring killy models. Illuminateds work well with C because he can toss out his focus and his effigy buffs to them, as Minions. Basically, pick a lane and stick to it. Don’t try to do all the things.

Lesson 5: Get Collodi into the Game

          The best I did in this happened after the puppet master got involved. He’s just so disruptive! Passing out slow or Obey type effects to the enemy or, worse, combining the two is so strong. That attack action is the reason you play this master. He can’t do that when he’s trailing along behind his puppets trying to play it safe and stay out of the fray. Now, obviously, if your opponent is playing Pandora or something you don’t want to be mixing it up with things that can attack your WP if you can help it, but still. Not getting him into the action was a big tactical mistake. I don’t know if it would have been enough to swing things, but it certainly would have made it closer.

Summation: Learn to Play, Newb.

          So I ended up grabbing the last point for extraction and blocking it from Phiasco again. I could have possibly made this competitive on the last few turns if I could have either started marking and killing things or knocked out Parker, but there just wasn’t enough time to recover from the way the game started. I’m relatively pleased that I at least was able to take the strat points, but I had to deny schemes somewhere if I was going to get into this thing (surprise, Adam occasionally forgets to play defense. This is not a new occurrence.) I need to get some real hitters into this list and get some of the useless puppets out of there. I was not super blown-away with the Marionettes, either, but I think their best work comes when they’re able to take hits for Collodi, which didn’t become necessary here, or pass out points of Burning from the Arcane’s (0). I’m looking at my Illuminated, obviously, but I think Ronin could be interesting as well. I’ve heard good things about incorporating Lazarus into the crew, but I’m trying to stay with things I actually own for the time being. If/when that alternate Lazarus they teased ever comes out, maybe I’ll pick it up and he can join the puppet show.

          I’ll ask Phiasco to (if he has time) come in and add his thoughts on Parker at the end of this. I think our next games with these masters will be not facing off head to head (IE I play Collodi versus him with someone else, and then we play another game where he has Parker and I play someone else) to keep the diversity up. But, in any case, we had our first rehearsal. It was ugly, but you don’t get better without practice. The show must go on!